Wednesday, July 15, 2015

Q2 2015 MARC .XML Records Now Available

MARC .XML records covering titles added to NML and NML-Jazz over the second quarter of 2015 are now available!

You can download only the latest set of records, or you can obtain the complete set combined by the month or year. As always, they are in .XML format, allowing you the freedom to process them to fit your system best.

Here are the links:

If you have any questions about these records, don't hesitate to contact us.

Wednesday, July 1, 2015

July 2015 - Featured Playlist: Light Up The Night

We all have our summer traditions. Maybe for you it’s traveling the country, or volunteering at a kids’ summer camp, or working as many hours as possible to pay for the next semester. In the midst of all that, summer is also about spending time with friends and family, grilling out or finding a pool or savoring a good thunderstorm from the front porch.

It’s also not truly summer without a fireworks display. Whether it’s for a national holiday or following up a baseball game, there’s not much better than seeing the sky explode with those spectacular sparks of color. Enjoy the show, and let our July playlist be the soundtrack as the fireworks Light Up The Night!

To hear the playlist, access NML as usual, go to the Playlists section, and select the Playlist of the Month folder under the Naxos Music Library Playlists tab. If you are on your institution's premises, you may also be able to access it if you CLICK HERE.

 1. George Frideric Handel – Music for the Royal Fireworks: IV. La rejouissance – At the request of King George II, Handel’s initial version of Music for the Royal Fireworks was arranged for wind instruments and percussion only. The music was a great success, which cannot be said of the fireworks it was meant to accompany; the event was marred by rain, and one of the pavilions caught fire in the middle of the display.

2. Ottorino Respighi – Feste Romane: IV. La Befana – Respighi was a colorful orchestrator who is best remembered for his three symphonic poems based on Rome. The last one, Roman Festivals, is his most logistically demanding, and it closes out with an elaborate cacophony of songs and dances. In the midst of the burst of adrenaline that is this piece, listen for the solo trombone amusingly portraying a drunken reveler!

3. Vladimir Jurowski – Symphonic Pictures, “Russian Painters”: VII. Maslenitsa – Jurowski was a Soviet composer who is little known outside Russia. But his son and grandson have both become noted conductors, and it is his son who conducts this premier recording of his Symphonic Pictures. Each movement represents a Russian painter, with the joyous portion included here portraying Boris Michailowitsch Kustodiew.

4. Pyotr Il’yich Tchaikovsky – Violin Concerto in D Major: III. Finale: Allegro vivacissimo – Tchaikovsky's Violin Concerto was so technically demanding that he had a hard time finding a soloist to premier the work, and even then it was not well received, with one critic saying that “the violin was not played but beaten black and blue.” Tchaikovsky had the last laugh, however, with the concerto joining the repertoire as one of the most challenging and beloved for the violin.

5. Niccolò Paganini – 24 Caprices: No. 24 in A Minor – Paganini was a rock star of his day, becoming wildly famous and wealthy as a violinist of unparalleled skill and showmanship. He was so talented that a rumor surfaced that he had sold his soul to the devil in exchange for his ability! He took the violin to a level it had never seen before, and his 24 Caprices would influence many composers to come.

6. Dmitry Shostakovich – Symphony No. 5: IV. Allegro non troppo – Under Stalin, Soviet composers were expected to adhere to Communist ideals of “social realism”, and Shostakovich’s Fifth Symphony was a last chance to conform following several controversial pieces. He succeeded in satisfying the officials, but he also slipped in more subtle subversions that the Communist censors completely missed. But the public did not, and the symphony was given a 30-minute ovation at its premiere.

7. Nikolay Rimsky-Korsakov – Capriccio espagnol – Rimsky-Korsakov is remembered especially as a brilliant orchestrator (though he bristled at being pigeonholed as such), and Capriccio espagnol is a dazzling example of his skill. While his music is distinctly Russian in style, he was quick to incorporate elements of other cultures, perhaps as a result of travels during his career spent in the Russian navy.

8. Germaine Tailleferre – Les mariés de la tour Eiffel: Valse des dépêches – Jean Cocteau initially commissioned the music for a new stage work to Georges Auric, but due to time constraints Auric shared the task with four other members of Les Six, Honegger, Milhaud, Poulenc, and Tailleferre. One of Tailleferre’s contributions was the lovely “Waltz of the Telegrams”, a dance for five ballerinas.

9. Gabriel Pierné – Cydalise et le chèvre-pied: L'École des Ægipans – Pierné isn’t a household name today, but he nearly could have been. Music from Cydalise et le chèvre-pied was originally intended for inclusion in Disney’s Fantasia, the same film that ensured the enduring popularity of Dukas' The Sorcerer’s Apprentice, but it was ultimately replaced by Beethoven’s Sixth Symphony.

10. Franz Liszt – Transcendental Étude No. 5, “Feux follets” – Widely acknowledged as one of Liszt’s most technically demanding pieces, this étude combines blisteringly quick passages in the right hand with huge leaps in the left. Adding to the difficulty is that great swaths of the piece require the pianist to play very softly, and with a light touch that is extremely difficult to control at such speeds. It might be quiet, but it will still blow you away—like a will-o’-the-wisp on the wind.

11. Edvard Grieg – Peer Gynt Suite No. 1: IV. In the Hall of the Mountain King – When Henrik Ibsen wrote his play Peer Gynt he didn’t intend it to be staged, but he eventually changed his mind and offered Grieg the task of composing the music. Grieg was quite flattered by the opportunity, and excited to do it, but he wrestled for quite a while with finding just the right music to do the story justice. Ultimately, he produced some of his most popular music.
12. Aram Khachaturian – Gayane: I. Sabre Dance – Khachaturian is remembered as the greatest composer from Armenia, and the “Sabre Dance” from his ballet Gayane is his most popular work. It was a huge hit in the United States in 1948, becoming the first million-selling recording by the Chicago Symphony Orchestra, and today it will still be instantly recognizable to most people through its frequent use in television and film.

13. Samuel Barber – Violin Concerto: III. Presto in moto – In 1939, Barber was commissioned to compose a violin concerto for the talented ward of a wealthy businessman. The result was declared unplayable by the ward, and the businessman refused to pay up the promised $1,000 (about $16,700 today), until Barber found a student violinist who could demonstrate that the piece was indeed playable.

14. Kurt Atterberg – Symphony No. 8: IV. Con moto – It might seem strange today, but the musical environment in Sweden in 1945 required Atterberg to constantly defend his use of folk melodies in “serious” works like symphonies. His Eighth Symphony is packed full of folk tunes, and he felt his stance vindicated when he received this telegram following the first performance: “Thank you for your wonderfully cogent symphony. With warm greetings, Jean Sibelius.”

15. Thomas Augustine Arne – The Guardian Out-witted: Overture, I. (Allegro) con spirito – Arne was an English composer in the 18th century who is remembered today for composing Rule, Britannia! and A-Hunting We Will Go. In his day, he was a popular composer of stage music, and one of his works, Artaxerxes (the first known opera seria in the English language), even impressed Joseph Haydn.

16. Wolfgang Amadeus Mozart – Die Zauberflöte, Act II: Der Hölle Rache – This aria for the Queen of the Night is one of the most notoriously difficult vocal showpieces in all of opera. It requires a coloratura soprano of the highest order, and it includes notes as high as an F6 (an octave above the top line on the treble clef. This version is sung by the popular soprano Diana Damrau.

17. Mikhail Glinka – Ruslan and Lyudmila: Overture – Glinka is remembered today as the first Russian nationalist composer, and he was a formative influence on the group called The Five (Balakirev, Cui, Mussorgsky, Rimsky-Korsakov, and Borodin). His opera Ruslan and Lyudmila was based on a story created in fifteen minutes by a drunken poet, and sounds like it, but the music he created was some of his best. The overture includes one of the earliest uses of a whole tone scale.

18. Ignatz Waghalter – Mandragola: Overture – Besides his excellent music, Jewish composer Ignatz Waghalter is remembered for his efforts in promoting racial equality. Forced to flee Germany during World War II, he took up residence in New York City and established a classical orchestra made up of African-American musicians, though the ensemble had to fold due to financial problems brought about by the Depression and political hostility.
19. Joan Tower – Fanfare for the Uncommon Woman No. 1 – Joan Tower composed a series of five fanfares with the initial inspiration of Copland’s Fanfare for the Common Man. The work is an important statement from a composer who helped pave the way for broader opportunities for female composers in what had been—and to a lesser extent still is—a male-dominated career path.

20. György Ligeti – Étude No. 13: L’escalier du diable – Pianist Pierre-Laurent Aimard had a reputation for being able to play anything that was put in front of him, and Ligeti took this as a challenge in composing his Études. Aimard was eventually able to master them, and the pieces have since become classics of the modern repertoire, as they combine fiendishly difficult technique with entirely listenable musicianship. This version is performed by Jeremy Denk.

Each month, Naxos Music Library presents a themed playlist for our subscribers to enjoy. We know that a database of over 1.6 million tracks can be a bit daunting, so we'd like to highlight some of the amazing music that is available to you. Let it kickstart discovery!

Monday, June 1, 2015

June 2015 - Featured Playlist: Off to Neverland

Think back to when you were a kid. Magic was possible, the world was a beautiful discovery, and you could be a superhero or a superspy or a super cute puppy…something super, anyway. That sense of wide-eyed wonder was natural, and accepted—and then “life” happened, and it conspired to smother it all.

Of course that doesn’t mean we have to give in to that suffocation that some people call adulthood. In the midst of studying and working, paying tuition or paying rent, we can still escape to that mysterious, miraculous imagination we were born with, where we learn anew that anything is possible. Let this music be your soundtrack as you whisk Off to Neverland.

To hear the playlist, access NML as usual, go to the Playlists section, and select the Playlist of the Month folder under the Naxos Music Library Playlists tab. If you are on your institution's premises, you may also be able to access it if you CLICK HERE.

1. Moose Charlap, Carolyn Leigh – Peter Pan: I Won’t Grow Up – J.M. Barrie’s beloved story about a mischievous little boy who can fly was adapted as a hugely successful Broadway musical in 1954. It is a delightful tale that reminds us that even though we all have to grow up, we can still retain a childlike love for life that keeps us young in spirit.

2. John Morris Russell – Carnival of the Animals (after Saint-Saëns): Grand Finale – Saint-Saëns never intended for Carnival of the Animals to be anything more than a fun parlor piece for two pianos and a handful of other instruments, but it has since become one of his most popular works. This version is an arrangement that takes advantage of the many colors of the full orchestra.

3. Dmitry Kabalevsky – The Comedians: II. Comedians’ Gallop – Kabalevsky is primarily known in the West for this selection, the "Comedians’ Gallop", but in Russia he is probably best-known for his vocal music. He was also a major contributor to music education, setting up pilot programs in more than two dozen Soviet schools and even for a time teaching a class of seven-year-olds.

4. Sergei Prokofiev – Peter and the Wolf: The Procession to the Zoo – Of course Prokofiev’s enduring Peter and the Wolf has to be included here, and we’ve got none other than David Bowie himself to narrate. Composed in only four days, the work’s 1936 debut was poorly attended and, in Prokofiev’s words, “failed to attract much attention”, but it would go on to become one of the most beloved works of all time.

5. Nikolay Rimsky-Korsakov – The Snow Maiden Suite: IV. Danse des bouffons – Rimsky-Korsakov’s opera about a snow maiden who acquires the capacity to love only to have its warmth destroy her is one of his best-known works, and his personal favorite. From it was derived an orchestral suite, which includes the colorful "Dance of the Clowns".

6. Paul Dukas – The Sorcerer’s Apprentice – It might not be fair to call Dukas a one-hit wonder, but there’s no getting around the fact that The Sorcerer’s Apprentice is far and away his most beloved work, due especially to its use in Disney’s Fantasia (1940). Already quite popular at the time, the piece became ingrained in the general consciousness thanks to Mickey Mouse’s big come-back portrayal of a hapless apprentice magician.
7. John Williams – Star Wars, Episode VI, “Return of the Jedi”: Parade of the Ewoks – John Williams may wear his influences on his sleeve, but he’s done it well, composing some of the most memorable film music of all time. His Star Wars score especially is truly iconic, and no matter how old we get, those famous melodies instantly transport us back to fond childhood memories.

8. Benjamin Britten – The Young Person’s Guide to the Orchestra: Fugue: Allegro molto – As the title states, this piece was composed to be a demonstration of the various instruments of the orchestra. Each instrument takes its turn with a variation of the theme, one borrowed from Purcell, and then they all come together for a fugue at the end.

9. Scott Joplin – The Entertainer – If you’ve ever spent much time at the piano, you’ve probably learned at least a portion of Joplin’s enduring rag The Entertainer. The recording included here was released in late 1970 and became Nonesuch Records’ first million-selling record. A couple years later The Entertainer was used in the hit film The Sting, completing its ascent into the popular consciousness.

10. Herbert Baumann – Alice In Wonderland: Final Dance – Herbert Baumann is primarily known as a prolific composer for theater and television, but in 1984 he completed music for a ballet based on Lewis Carroll’s timeless tale Alice In Wonderland. He followed this up a year later with the ballet Rumpelstiltskin, which went on to receive over 200 performances.

11. Harold Arlen – The Wizard of Oz: If I Only Had A Brain – One of the most beloved films of all time, The Wizard of Oz was not that big of a commercial success upon its initial release, drawing box office totals that only barely exceeded its budget. But it received several Oscar nominations, and subsequent re-releases were massively successful. “If I Only Had A Brain” was one of several songs on the soundtrack to achieve continual popularity.

12. Daly/Traditional – American Hoe Down Medley – “Chicken Reel” and “Turkey in the Straw” are two popular hoedown tunes that often serve as novelty songs for children. Many lyrics exist for these melodies, but while some are nonsense, others unfortunately reflect their popularity with blackface singers in bygone days. These two songs are performed in this medley (without lyrics) by the United States Air Force Strings.

13. Leopold Mozart – Cassation in G Major, “Toy Symphony”: I. Allegro – It is unknown with full certainty who the composer of the Toy Symphony is, but the piece is popularly attributed to Leopold Mozart. Composed for strings, woodwinds, and an assortment of toys, it is a piece often programmed for children, sometimes at Christmas.

14. Ellen Taaffe Zwilich – Peanuts Gallery: VI. Peppermint Patty and Marcie Lead the Parade – Charles Schulz was a fan of Zwilich, even incorporating her into a Peanuts strip. In it, Marcie notes at a concert that the next piece is by Ellen Zwilich, who “just happens to be a woman.” Peppermint Patty then climbs up on her chair and shouts out “Good going, Ellen!”

15. Elisabetta Brusa – Merlin – Contemporary Italian composer Elisabetta Brusa had always loved the stories about Merlin and King Arthur, and in 2004 she endeavored to compose a symphonic poem describing the beloved wizard. It’s a fantastic work all around, but it’s the ending that really wins the listener over, as it is a perfect musical depiction of Merlin disappearing into thin air.

16. Gioachino Rossini – La Cenerentola: Nacqui all’affanno e al pianto – Composed when he was 25, Rossini’s version of the Cinderella story was completed over a three-week period in the year following the great success of The Barber of Seville. Like its predecessor, it has remained a staple of the operatic repertoire and a showpiece for its soloists. This version is performed by Maria Callas.

17. Wolfgang Amadeus Mozart – Die Zauberflöte, Act I: Aria: Der Vogelfanger bin ich ja – Mozart mastered the art of composing for his performers, tailoring the arrangements and difficulty levels to the skills of the expected singers. For example, the character of Papageno was first performed by a less-skilled singer, so those melodies are often doubled in the orchestra to aid the singer in finding his pitch.

18. Peter Ilyich Tchaikovsky – The Sleeping Beauty, Act. I: Waltz – The second of Tchaikovsky’s three great ballets, The Sleeping Beauty was a considerable success, receiving over 200 performances within 10 years of its completion. It was based on the Brothers Grimm’s version of the story, but it also incorporated other fairy tale characters, including Little Red Riding Hood, Cinderella, Puss in Boots, and Beauty and the Beast.

19. John Walter Bratton – The Teddy Bears’ Picnic - John Walter Bratton was a popular composer of the Tin Pan Alley around the turn of the twentieth century. A number of his songs were quite successful in his day, but today he is remembered primarily for “The Teddy Bears’ Picnic”, a melody that has appeared in everything from Looney Tunes cartoons to Pretty Little Liars to Peter Greenaway’s A Zed & Two Noughts.

20. Robert Schumann – Kinderszenen: No. 7 Traumerei – In 1838 Schumann composed thirty simple pieces for piano, then selected thirteen of them to make up his Kinderszenen. The pieces each are meant to depict an adult reminiscence of different aspects of childhood. “Traumerei (Dreaming)” is perhaps the best known of these pieces.

Each month, Naxos Music Library presents a themed playlist for our subscribers to enjoy. We know that a database of over 1.6 million tracks can be a bit daunting, so we'd like to highlight some of the amazing music that is available to you. Let it kickstart discovery!